By notifying, with certain: Generation, upon the rolling times. Bendik saw himself, devoted enough to: Drop down to water, as a three year old. And, eventually: Get stoned. Also later upon, both being: Shaken & disturbed, among dancing flashes. Yet never, in any other: Heroism, other than speed / light & blowing impressive finality. And only, by: Studying, with the current time. The, time: Currency, have also been captured. This was, somewhat done with: General, geography & history. But mainly, investigated by: Tradition, as art.
Every attempt, to roll out a fictional / documented: “Tree” comes directly, from the church & prayers noted. There should only, be a matter of: Strict enough, security. And, proper root tied: Alarmed & secured, main station. This also, excuses all: Criminals mainly because, of lectural energy & room theory.

Vectorised photography, of: Bendik Laland.

Bendik Viking Laland : Curriculum vitáe / resumé.

“Darwin’s Jesus : The, First Hunter.” 2012 - Sitt Ned.
“Hitching Spots & Areas.” 2011 - Gallerie Gallerah - Snipetorp.
“Contacts & Cables.” 2010 - Gallerie Gallerah - Snipetorp.
“Graffention.” 2009 - Sitt Ned.
“Fading Sparks.” 2006 - Sitt Ned.
About : BVL.
Bendik is, inspired by: Abstract Graffiti Psychedelia, Pompous Barouque and somewhat from the: Expressionism. Bendik's visual theme, used to be: Ahead, of it's time. Bendik might also, have found a connection between: General innovation / invention, and Graffiti. He has in some, of hes formulas: Described how Graffiti, can be innovative & Re-inventive.
Solstices & voulenteer work.
“Snap & Trap, Dancers - Feminism.” 2014 - YouTube, channels.
“Pub, Start Ups.” 2014 - Folque Café.
“12pm.” 2013 - FaceBook.
“Modernisation.” 2013 - The English Language.
“Significant, Cash: Donor.” 2013 - Nav.
“Invention: Portfolio & u-Help.” 2011 - detail.pdf.
“Logo type & design.” 2007 - MIO.
“Lectured, for: Web 3.0.” 2006 - WHATWG & w3c.
“Setting the Current, Decorative Art Trend for Increasing Difficulty.” 2006 - “So Clean, So Pure”.
“Styling the Lens, for National Television.” 2006 - “So Clean, So Pure”.
“Cap bond, start ups for: Production.” 2004 - FlexFit.
News article, titles.
“A girl, that changed her: Name.” 2014 - BENDIK, music propaganda.
“Documentary, of: Colour, drival.” 2014 - NRK.
“All Graffiti, should be: Legal.” 2014 - ta.
“Inspiring source, for light processing: Serial, flexibility.” 2013 - Norwegian Research Council.
“Artist, who: Chooses to, be poor.” 2013 - NRK.
“u-Frame, by: detail.pdf.” 2013 -
“Commenting, the: House trend, in art.” 2012 - Varden.
“Standard & Abstract, Desktop: Backgrounds.” 2009 - Microsoft Windows.
“Research project, code named: VELOPT.” 2009 -
“Mystical: T-man.” 2008 - ta.
“Young, promising: Artist.” 2006 - PD.
“Web design, contest: Winner.” 2005 - FHM.
“Painted, the: North sea, park ramps.” 2005 - Gvarv.
“Painted walls. In, many: Houses.” 2004 - PD.
“Painted, on: Some, cars.” 2000 - Graffiti.
Signed proffesion & schools.
Manfred Evertz’s, proffesional: Courses.” 2012.
kHIB.” 2007.
Gjerpen School.” 1994.
“Baby Stoner.” 1990.
Honour & glory.
The veloptive formularies, could replace all: Invention. And, enable all: Innovation, for anyone. Being, a: Re-inventive, code. The, first: Language veloptions, might become highly valuable. These are from, the year: 2009 / 2010.
Bendik, did make a: Step. By opening, for a possible: Textual reinvention. Among with introducing, for the: Light processor. And by creating, the: Calculations, for “Eternal Machinal Capacity.” Which is, a software only: Serial, energy addition. Requiring lots, of higher sophisticated: Programming. Bendik has, the aspergers benefit of: Narrowed, intelligence. Which makes him, especially: Great, in the arts. He has, been an: Artist. Since: 1995. And he, set course for: Formula one / innovation technology / artificial intelligence. Already, in the year of: 1990 / 1991. Then, he was only: Two, years old.
The combination, of: Artistic, research. This happened, in the year: 1990. And still, in: 2018. Bendik, is producing: Graffiti & artistic, mirrors. Of, instant: Instances. Being, abstract manual: Science & schematic, research. Upon geometric, math of: Ultimate, symbolic shaping. The, BVL : VELOPT, project. Falls inside, of the research category: “Outstanding: Science. Innovation, of: Future, technologies. IT - Research, on: Innovation technology / artificial, intelligence.”
This category, has been under: Research. Since, the: Baroque, ages. Firstly mentioned, as “the science of: Art & mythology.” Previously, being called “the road, to: Omniscience / Nirvana.” In, the far: Eastern part, of the world. In, the: 1930's. The task, changed to “research, on: Formula one.” Among, with the: Rise, of computers. Bendik, knows and writes: About, the computer origin. As, a: Protest, to the current & established capitalism. Formula one, is the refreshing science, of: Carbon based transmutation & inventive, innovation.
Bendik, is hoping to contribute, inside: Innovation, technology. With, hes: Alphanumeric, calculator. Which, were sold: For further development, in 2013.
Main competence.
“Fluid & Optimal Generalism.” 6 / 6.
“Mathematical Characterisor.” 6 / 6.
“Acrylic Painter.” 6 / 6.
“Markour & Line Worker.” 6 / 6.
“Inventor & Innovator.” 6 / 6.
“Post Veloptivist - Research, of: Formula One.” 6 / 6.
“HTML + CSS - Web Designer & Animator.” 6 / 6.
Inflicting adolescence.
When Bendik was a very young child, he asked his father: What was the most, difficult work to do. Bendik’s father answered, that it was: “Research, on formula 1.” That was, when Bendik decided: To be, a researcher. He was given, a short: Description on what formula 1, was. When he, concluded about: Setting up, for the research project. Later, the big disappointment: Came. He was, at the: Technical museum, in Oslo. He was playing, with a: Kaleidoscope. He were, thinking that: The person behind this tool, has already invented formula 1! Still, Bendik could not: Understand why the kaleidoscope, was there in the museum. And, not: The actual, formula 1. It was then, that Bendik figured: He was the one: That understood the connection, between the kaleidoscope and formula 1.
Although, that this: Tool. Might actually, have been: A fallen formula, within the field of research. Bendik decided to use his knowledge, about the kaleidoscope in: His future “research, on innovation & technology.” Bendik asked, his mom: “How can I make, a formula for everything?” She, answered: “Perhaps that, you can draw it? You that are, such an artist! “Nobody remembers what, the first drawing: Looked, like.” And, it’s probably: Not, important. After a little drawing, Bendik had figured that the kaleidoscope, were to be a: Key in the, whole setting.
He was, addicted to: Making attempts on formula 1, while drawing. Which is why, he completely, went 100 % into: “Artistic innovation, of formula 1.”
In the kinder garden, and in: Primary school, he was only drawing. Or, doing other: Kinds, of art. However he, still were: Listening to the teacher, while drawing. Which is how, that he could draw: General, school lessons. And attempt, to: Innovate, it.
Bendik continued to study like that, throughout the: Middle, school. With his: Self learned, Graffiti styles. Later he studied at an art specialised school, where he archived: Top grades, in all art classes + geometry.
Further he has, studied at the: Bergen National Academy, of the Arts (khib - 2007.) The true research project, and attempts on: Formula 1. Began, firstly in: 2009. Later, in: December 2014. He has made maybe ten, written formula attempts for: Innovation, invention or development.
Further competence.
“Historian.” 3 / 6.
“Analyst.” 4 / 6.
“Calculator.” 4 / 6.
“Originalist.” 5 / 6.
“Designer.” 6 / 6.
“Formulant.” 6 / 6.
“Graffitant.” 6 / 6.
“Image Editor.” 6 / 6.
“Geometric.” 6 / 6.
“Descriptive.” 6 / 6.
“Creative.” 6 / 6.
“Colorist.” 4 / 6.
“Printing Engineer.” 3 / 6.
“Prestige.” 4 / 6.
“Promotor.” 4 / 6.
“Scientist.” 6 / 6.
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